Jason Adams
Jason Adams is a freelance entertainment writer at Mashable. He lives in New York City and is a Rotten Tomatoes approved critic who also writes for Pajiba, The Film Experience, AwardsWatch, and his own personal site My New Plaid Pants. He's extensively covered several film festivals including Sundance, Toronto, New York, SXSW, Fantasia, and Tribeca. He's a member of the LGBTQ critics guild GALECA. He loves slasher movies and Fassbinder and you can follow him on Twitter at @JAMNPP.
By Jason Adams
How 'Scream 2' made this slasher franchise timeless
Celebrating the slasher sequel on its 25th anniversary.
By Jason Adams
'Spoiler Alert' review: Say hello to your new favorite 10-hankie tearjerker
Jim Parsons and Ben Aldridge discover that love sometimes means having to say goodbye.
By Jason Adams
It's the 3rd anniversary of Dakota Johnson's birthday party, and we're all invited…except for you, Ellen!
How one sly clapback undid a daytime TV empire
By Jason Adams
Can Luca Guadagnino's 'Bones and All' be invited to Oscar dinner?
The Timothée Chalamet-fronted cannibal-romance could (and should) get some awards affection.
By Jason Adams
10 not-scary horror movies for people who don’t like horror movies
If you’re not feeling sinister… That’s okay.
By Jason Adams
Shudder’s ‘Queer for Fear’ series is here to school you on LGBTQ horror
The call is coming from inside the house!
By Jason Adams
How 'Pee-wee’s Playhouse' became our home away from home 36 years on
Loners, rebels, magic screens, and me.
By Jason Adams
Best movies by LGBTQ+ creators on Netflix, because Pride doesn't end in June
From queer horror to independent dramas, musicals, documentaries, and more.
By Jason Adams
Queer horror finds its queen in ‘All About Evil’
The lost 2010 cult film starring Natasha Lyonne finally finds a home.
By Jason Adams
10 best music docs on Prime Video, for when you need to let your hair down
"Shine a Light," "Gimme Danger," "Sign o’ the Times," and more.
By Jason Adams
‘Flux Gourmet’ farts in our general direction, and we're into it
Peter Strickland’s new film puts flatulence on blast.
By Jason Adams